We were thrilled to be included in the Boston Globe Guide to the best local holiday art shows this year. Our current exhibition Plenty 2020 showcases a diverse collection of prints, paintings and photographs from 34 of our artists. Make an appointment or stop by to see the show before it closes on January 8.
Call for Art - Transition of Power: 2021
ABOUT
13FOREST Gallery has marked the past two presidential inaugurations with an exhibition titled Transition of Power. The goal of the exhibition is to highlight a diversity of artistic responses to the turnover of political power in the American government. Following the most contentious presidential election in recent history, we are once again turning to artists to provide perspective on the transition from the Trump administration to the Biden administration. We are looking for work that addresses the breadth of political issues that arose during the Trump presidency, and especially the historic events of 2020, from the Black Lives Matter movement to the COVID-19 pandemic.
From Transition of Power: 2017 - Ted Ollier, Pernicious Nostalgia, edition of 27, letterpress on paper
SUBMISSION GUIDELINES
To submit a proposal for new work: send a sketch and description of how the finished piece will appear by the submission deadline
For work that already exists: please submit images of the finished piece and a brief description of the materials and intent/content of the work
Artwork must have been created within the past four (4) years
Artwork cannot have been shown before at 13FOREST Gallery
Two-dimensional work preferred; some sculpture will be considered
Maximum of three (3) submissions per artist
Size requirement: 36" x 36" or smaller preferred; some larger work will be considered
Artist must reside in New England
Please include a short biography, website links, resume/CV, and contact email address with your submission
Send submissions via email to info@13forest.com
DEADLINE FOR SUBMISSION
December 19, 2020
EXHIBITION DATES
January 20 – February 19, 2021
LOCATION
13FOREST Gallery, 167A Massachusetts Ave, Arlington MA
IMPORTANT DATES
Sat 12/19: Submission deadline
Tue 12/22: 13FOREST will notify artists if their submission has been chosen
Sat 1/2: Submit images (if you want to be included in press release)
Sat 1/9: Submit images of finished work
Thu 1/14: Drop off work at gallery - framed, wired, ready to hang
Wed 1/20: Opening day
ABOUT 13FOREST GALLERY
13FOREST Gallery searches New England for outstanding artists - established and emerging - to offer the very best in original art and contemporary craft. We are a dynamic gallery space that features rotating exhibitions every 6 to 8 weeks, as well as a number of public programs designed to inform and inspire creative minds.
How've you been? on Museum Open House
In early August 2020 we were honored to film an episode of Museum Open House hosted by Jay Sugarman. Sponsored by NewTV in Newton, Museum Open House highlights many of the outstanding art institutions throughout the state to inform viewers about current and upcoming exhibits, various programs, resources, and other cultural opportunities that are available to the general public.
We were brought on to discuss our current exhibition How've you been? with three of the artists from the show, Mary O'Malley, Yuko Oda, and Ellen Shattuck Pierce. Since we won’t be able to host an artist talk for the show, we are especially grateful for the opportunity to showcase How've you been? online - hope you enjoy the program!
13FOREST in the Boston Globe
Andrew Fish’s painting Social Distancing, gouache on paper, featured in the Boston Globe online
We were so thrilled to see our exhibition How've you been? featured in The Boston Globe's roundup of art happenings in July 2020 with this great write-up by Cate McQuaid:
Still bleary-eyed and cautious from the shutdown and uncertain about the future? This exhibition feels like a healthy check-in. Viewable online and in person, it features art made during quarantine by artists including Andrew Fish and Kenji Nakayama, reflecting confusion, hope, persistence, and domestic oddities of recent months, such as in Eben Haines' painting Haircut in the Quar.
Kenji Nakayama, Pause #2, enamel on paper
Eben Haines, Haircut in the Quar, oil on paper, mounted on panel
New conceptual art series by Ted Ollier
Printmaker and conceptual artist Ted Ollier is always finding new ways to visualize interesting data, from voting results to the relative sizes of the moons of Jupiter. Working from home during the quarantine without access to his printing press inspired Ollier to experiment with a new medium - needlepoint. Read Ollier’s statement about his latest conceptual series below, and shop his work here.
CGA Cross-Stitch Sampler is an editioned needlepoint work blending two major forms of pixel-based rendering. It is stitched in 16 colors of cotton floss on squares of aida material approximately 3 1/2” x 3 1/2”.
The Computer Graphics Adapter was IBM’s de facto first standard for rendering color digitally. It had a palette of 16 RGB colors, with an extended graphics mode utilizing all 16 colors in a resolution of 160 x 100 pixels. It revolutionized the display of graphics on home computers in the early 1980s.
Textiles and needlework are a form of pixel-based representation that have existed for millennia. Computer-based image manipulation has existed for at most a few decades. To compare and contrast the different applications of these forms of pixelation, I have rendered this palette in a cross-stitch sampler of sixteen 4 x 4 blocks, using floss colors that are as close to the RGB specification as I can procure.
The edition is limited to 16, the same as the number of colors in the CGA palette. In keeping with the digital nature of the subject, the edition numbers have been converted to hexadecimal and start with 0 and end with the letter F. This keeps each unit a single digit and is in line with the numbering conventions of several programming languages.
2020 Father's Day Gift Guide
Father's Day is Sunday, June 21! Looking for a unique gift to celebrate Dad? We’ve curated a selection of great gifts in our online shop, and we are happy to offer curbside pickup, free local delivery or shipping services. We are also booking appointments at the gallery - click here to find out how. Happy Father’s Day!
Ingrid Jochimsen’s impeccably crafted wooden boxes highlight the natural beauty of the materials she works with and are perfect for storing your treasured keepsakes.
Peter Decamp Haines crafts elegant and minimalistic designs out of cast bronze that celebrate the natural world.
Bronze, artist proof, edition of 7, 7" x 3" x 1 3/4"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, A/P, 1/4" x 2 3/4" x 2"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, edition of 5, 1 1/4" x 7" x 2"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, edition of 5, 6 1/2" x 3" x 2 1/2"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, edition of 10, 6" x 6 3/4" x 1 3/4"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, edition of 5, 2 1/4" x 11" x 1 1/4"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Bronze, edition of 5, 1" x 6" x 1 1/4"
Peter DeCamp Haines holds a Bachelor of Arts from the University of Colorado, Boulder, a Master of Business Administration from Harvard University and a diploma from the School of the Museum of Fine Arts in Boston. His work has been shown in numerous solo and group exhibitions, and can be found in the DeCordova Museum and Sculpture Park in Concord, Massachusetts and the Chen Yunxian Museum in Nanchang, China, among other collections. Haines lives and works in Cambridge, Massachusetts.
Simple shapes elaborate into complexity. Images (humans, animals, architecture, tools) inevitably appear. I think that this is the projection of the warm subconscious onto the cool geometry of elemental forms.
Joe Keinberger’s imaginative portraits of spooky creatures strike the perfect balance between whimsy and the macabre.
Acrylic, ink, pen and pencil on panel, 16” x 12”
Lucifer is currently featured in Tandem: 20 Years of 13FOREST, on view at the gallery until November 13, 2026. It may be purchased now and will be available for delivery after November 13.
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, ink, pen and pencil on panel, 8” x 6”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, ink, pen and pencil on panel, 10” x 8”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 8” x 6”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 12” x 12”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic ink, pen and pencil on panel, 10” x 8”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 10” x 8”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 7” x 5”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 10” x 8”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
Acrylic, acrylic ink, pen and pencil on panel, 6” x 6”
Joe Keinberger grew up in Hingham, Massachusetts, before attending Massachusetts College of Art and Design in Boston. He now lives in Somerville where he paints and illustrates out of his hidden studio deep below the earth's crust. Keinberger works primarily in ink and acrylic, doing loose ink drawings on top of built-up texture of acrylic and assorted dry media.
A Cape Cod institution since the 1950’s, Jobi Pottery has long been a favorite for those looking to give a unique New England gift. We are proud to be the only venue off the Cape where you can find these delightful hand painted ceramics. With a range of styles and colors, this pottery is great for any occasion.
Hand-painted ceramic tray, 13” x 5 1/2” x 1”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic dish, 9 1/2” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic bowl, multifish pattern, 2 3/4" x 5 1/4" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 4” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic mug, 4 3/4” x 3 3/4” x 4 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, green traditional design, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
CW Roelle creates playful wire sculptures that resemble three dimensional drawings. His work touches on a wide range of subjects, but his recent series featuring his two young sons is perfect for Father’s Day.
Painted steel wire, 6" x 4 1/4" x 1/2"
Tricks Or Treats Vol. 3 #2 is currently featured in Tandem: 20 Years of 13FOREST, on view at the gallery until November 13, 2026. It may be purchased now and will be available for delivery after November 13.
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 7 1/4" x 19" x 1 1/4"
CW Roelle is a graduate of the Maryland Institute College of Art. He began drawing with wire in his junior year when, after looking at a figure drawing he had just made in class he wanted to reach into the paper, grab the line and move it with his hands. Roelle considers his wire pieces drawings more than sculptures. The imagery he uses is often inspired by the silent film era and the narratives he creates are generally subtle mood studies. Roelle lives and works in western Rhode Island.
Painted steel wire, 3" x 5" x 1"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 5" x 4 1/2" x 3/4"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 5 3/4" x 5" x 3/4"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 12 1/2" x 3 1/2" x 3/4"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 3 1/2" x 4 1/2" x 1"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 6" x 5" x 1"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 12" x 8 1/2" x 1/2"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 10 1/4" x 8" x 5"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 4 1/4" x 4 1/4" x 3/4"
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Painted steel wire, 6 1/2” x 5” x 1”
CW Roelle has been drawing with wire since the mid ‘90s. He first took up the pliers when the pencil line felt too removed. While attending The Maryland Institute College of Art he made his first wire pieces based on figure models from life drawing classes. He now makes a variety of images from small object portraits to interweaving narratives commenting on the delightful and mundane world around us. Roelle’s work is in the collections of The Newport Art Museum, Fidelity Investments and Women & Infants Hospital of Rhode Island. He lives and works in western Rhode Island.
Coco Berkman’s linoleum prints bring her charming characters to life with humor and joy.
Nine-color reduction linoleum print, edition of 15, 26 1/4” x 30 1/4” framed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Hand altered 7-color reduction linoleum print, edition of 18, 28 1/4” x 31 1/4” framed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Hand altered 7-color reduction linoleum print, edition of 18, 22 1/2" x 27" sheet size
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Six-color reduction linoleum print, edition of 22, 24" x 22 1/2" sheet size, 18" x 19" image size
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
14-color reduction linoleum print, edition of 20, 22 1/2" x 27" sheet size, 20" x 24" image size
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
14 color reduction linoleum print, edition of 17, 30" x 33" sheet size, 24" x 28" image size, unframed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
4-plate linoleum print, open edition, 20 1/4" x 20 1/4" framed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Four plate linoleum print, 20” x 18” framed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Four color reduction linoleum print, edition of 12, 22" x 28" sheet size, 18" x 24" image size
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Reduction linoleum print, edition of 18, 25 1/2" x 27 1/4" framed
Gloucester artist and printmaker Coco Berkman utilizes her love of drawing and a literary inspired imagination along with Japanese carving tools, luxurious oil-based inks and beautiful cotton rag papers to create images that inspire a particular emotional effect. She has studied at several printmaking studios throughout the United States and Ireland.
Heather Pilchard is another go-to for those looking for an iconic New England gift. Her colorful paintings of Wellfleet evoke sun-drenched summers on the Cape.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7" x 7" framed
Mandell Hill is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7 1/4" x 7 1/4" framed
December Pond is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7" x 7" framed
Great Island Woods is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7 1/4" x 7 1/4" framed
Snowy Path is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
2020 Mother's Day Gift Guide
This year we might not be able to celebrate Mother’s Day as we normally would, but we want to make sure that you can still find a thoughtful gift to commemorate this special holiday. We’ve curated a selection of great gifts in our online shop, and we are happy to offer shipping services or free local delivery. Happy Mother’s Day!
13FOREST’s newest artist Caroline Mead makes colorful geometric earrings from lightweight polymer clay - perfect for someone who likes jewelry that is bold yet easy to wear.
Rebecca Lockhart crafts her jewelry out of repurposed industrial materials, creating designs that are sleek and modern.
Lichen colored powder coated steel hoops with sterling silver posts
1 3/4” x 1 3/4”
The need to find an alternative outlet for her creative impulses drove Rebecca Lockhart into the world of jewelry design. While working long days as an English teacher in New York City, she wanted to make something with her hands –– and after picking up a set of chain nose pliers and making her first pair of earrings on a whim, she was hooked.
Over the years, Lockhart’s work has evolved through her experience as a self-taught artist, along with wax carving and silversmithing techniques learned in Italy and Mexico. Her designs fuse a refined industrial aesthetic with global sensibilities, inspired by the duality of urban and rural life.
Canyon colored powder coated steel components with argentium silver posts
1 1/4” x 1 1/4”
The need to find an alternative outlet for her creative impulses drove Rebecca Lockhart into the world of jewelry design. While working long days as an English teacher in New York City, she wanted to make something with her hands –– and after picking up a set of chain nose pliers and making her first pair of earrings on a whim, she was hooked.
Over the years, Lockhart’s work has evolved through her experience as a self-taught artist, along with wax carving and silversmithing techniques learned in Italy and Mexico. Her designs fuse a refined industrial aesthetic with global sensibilities, inspired by the duality of urban and rural life.
White powder coated steel components with argentium silver posts
1 1/4” x 1 1/4”
The need to find an alternative outlet for her creative impulses drove Rebecca Lockhart into the world of jewelry design. While working long days as an English teacher in New York City, she wanted to make something with her hands –– and after picking up a set of chain nose pliers and making her first pair of earrings on a whim, she was hooked.
Over the years, Lockhart’s work has evolved through her experience as a self-taught artist, along with wax carving and silversmithing techniques learned in Italy and Mexico. Her designs fuse a refined industrial aesthetic with global sensibilities, inspired by the duality of urban and rural life.
Maeve Mueller’s delicate porcelain designs range from simple geometric studs and pendants to dramatic tiered earrings - something for every taste. She uses a special gold luster glaze that adds elegance to every piece.
Porcelain with spring green glaze and gold luster, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with spring green glaze and gold luster, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with gold speckled black glaze and gold luster, 14K gold hardware, 7/8" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with tangerine glaze and gold luster side lines, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with white glaze and gold luster side line, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster center line, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster outline, 14K gold filled hardware, 3/8" x 3/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster side line, 14K gold filled hardware, 3/8" x 3/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with mottled pink glaze and gold luster, 14K gold filled hardware, 5/8" x 5/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with turquoise and white crackle glaze, 14K gold filled hardware, 7/8" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Two-tiered porcelain with clear glaze and textured gold luster, 14k filled hardware and handmade ear wire, 2 1/2" x 1 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Two-tiered hinged stud earrings, porcelain with crackle white glaze over textured gold, 14K gold filled hardware, 1 1/2" x 1"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Three-tiered porcelain with clear glaze and gold luster, 14K gold filled hardware, 2 1/2" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain pendant with black glaze and gold luster, 5/8" x 1/2" pendant, 16” 14K gold filled chain
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with soft yellow glaze and gold geometric design, 5 1/2” x 2 3/4”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with midnight blue glaze and gold geometric design, 5 1/4” x 2 1/2”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with black glaze and gold luster, 4 1/2” x 2 1/2”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with textured black glaze and gold luster, 4 3/4” x 2 3/4”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
A Cape Cod institution since the 1950’s, Jobi Pottery has long been a favorite for those looking to give a unique New England gift. We are proud to be the only venue off the Cape where you can find these delightful hand painted ceramics. With a range of styles and colors, this pottery is great for any occasion.
Hand-painted ceramic tray, 13” x 5 1/2” x 1”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic dish, 9 1/2” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic bowl, multifish pattern, 2 3/4" x 5 1/4" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 4” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic mug, 4 3/4” x 3 3/4” x 4 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, green traditional design, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Recently featured in the Boston Globe Magazine’s 2020 Mother’s Day Gift Guide, Françoise Han’s lovely hand painted porcelain pottery will add color and cheer to any home.
Amy Keller’s miniature prints feature charming vignettes - perfect for someone with a sense of whimsy.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Print reproduction of original collage, coated with wax and mounted on wood block, 4" x 4"
Amy Keller creates mixed media encaustic art and hand printed textiles in her home on the south shore of Massachusetts. Keller’s work consists of paper cut drawings collaged in layers of wax. Her pieces accentuate the depth that is characteristic of encaustic. Oil stick, silver leaf, metallic powder and pigments are also incorporated into some of her pieces. Her main influences are her summers on Cape Cod, her two children, vintage maps, and books.
Carlos Santiago paints with an expressive style that offers a uniquely dynamic take on the traditional floral still life.
Oil on canvas, 8" x 8"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Oil on panel, 20" x 16"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Oil and acrylic on canvas, 24" x 24"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Oil and acrylic on linen, 20" x 20"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Oil and acrylic on linen, 20" x 20"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Oil and acrylic on linen, 20" x 20"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Acrylic and oil on canvas, 10" x 8"
Carlos Santiago is a Puerto Rican-born painter who enjoys exploring the interchange of shape, form and texture. Santiago earned his Bachelor of Fine Arts from the Savannah College of Art and Design in Georgia. He subsequently worked for ten years as a design professional in New York City's fashion industry. Santiago continued his artistic education at the School of the Museum of Fine Arts at Tufts University and Massachusetts College of Art and Design.
Heather Pilchard is another go-to for those looking for an iconic New England gift. Her colorful paintings of Wellfleet evoke sun-drenched summers on the Cape.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 6” x 6” x 1 1/4” framed
All small paintings by Heather Pilchard are framed in a maple wood floating frame, as seen in additional images.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7" x 7" framed
Mandell Hill is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7 1/4" x 7 1/4" framed
December Pond is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7" x 7" framed
Great Island Woods is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
Oil on panel, 7 1/4" x 7 1/4" framed
Snowy Path is framed in a maple wood floating frame, as seen in additional image.
Heather Pilchard is a painter, photographer, bookbinder and teacher. She graduated from the School of the Museum of Fine Arts at Tufts University with a Bachelor of Fine Arts. Pilchard currently lives in Eastham, Massachusetts, where she draws inspiration from the ecology of outer Cape Cod. Her paintings are meditations on the natural world, for which she feels deep awe and respect.
As featured in our current exhibition, Panorama, Paul Beckingham’s landscapes and still lifes are a marvel of dramatic lighting and intricate detail.
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Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum id ligula porta felis euismod semper.
Sed purus sem, scelerisque ac rhoncus eget, porttitor nec odio. Lorem ipsum dolor sit amet.
Vivamus pellentesque vitae neque at vestibulum. Donec efficitur mollis dui vel pharetra.
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Monumental show at Shelter in Place Gallery with Nicole Duennebier
Social distancing and shelter in place orders have required everyone to find new ways to do their work and stay connected with their communities. Although this has been a challenge, the current restrictions have also inspired a lot of creativity and innovation.
Three cheers to Boston artist Eben Haines, who devised a particularly captivating alternative for displaying art during the pandemic. Haines has created Shelter in Place Gallery (@shelterinplacegallery on Instagram), a miniature model gallery where he hosts installations of local artists who create scale works for the tiny space. Essentially, 1 inch equals 1 foot.
This week he is featuring 13FOREST artist Nicole Duennebier, who created six new small scale paintings for the show. You can find Duennebier's thoughts on the series here. Read what Haines had to say about his inspiration for Shelter in Place Gallery below. Shelter in Place Gallery also received a great write up by WBUR; read the article here.
Shelter in Place Gallery
Installation shot of Nicole Duennebier’s show at Shelter in Place Gallery
Initially, Shelter in Place Gallery was built to test my own ideas, to make large scale installations financially feasible. As I packed up what I thought I'd need to make work at home in between the day-job stuff, including this silly half-built scale model, I began to worry about what having significantly less space would do to my practice. That was when I realized how fruitful this space could be for artists coping with the same situation, who need an impetus to continue making through this new reality we've been placed in. I want this gallery to be a motivator, to get people unstuck from crisis mode for a little while, and then later they can use these images and proposals to pitch to galleries, grant organizations, and residency programs. I want artists to look at this opportunity as a reason to make the work they've always wanted to, but don't have the money or time to pull off, especially now when time is abundant but resources are near zero. There will be plenty of time to make what you always make after all of this is over, so right now how about making things ten times as big, with a solo show to work toward? I've been blown away by what I've seen so far, and I can't wait for what’s next.
Eben Haines was born in Boston, Massachusetts in 1990, and he received his Bachelor of Fine Arts with honors from the Massachusetts College of Art and Design in 2013. His work emphasizes the history and process of object, focusing on human form and the built environment. Using a covering over and building up of material, he tries to present hand, object, and image simultaneously. He currently lives and works in Boston.
Eben Haines
Previous installations at Shelter in Place Gallery
Eye of the Beholder - a conversation with the artists of Panorama
For our exhibition Panorama, our goal was to showcase a range of painting approaches from figurative to abstract. We selected Paul Beckingham, Lynette Haggard and Bonita LeFlore for the show to demonstrate three distinct styles that span the broad spectrum of creative expression. The artists' points of view are apparent in their handling of color, form and light; their differing perspectives highlight the full potential of paint to deepen our appreciation of the world around us.
Since we were not able to host our usual talk with the artists of Panorama, we decided to host a conversation online instead. We hope you enjoy this video, and make sure to check out our social media and newsletter for more digital engagement with the artists of 13FOREST.
Tour Panorama (from the comfort of your home)
As an art gallery we provide the community an opportunity to visit our physical space to connect with artists and their art. Since we can't open our doors to host our usual events right now, we've had to get a little creative in how to bring our current exhibition Panorama to the public eye.
For this show we've gone virtual by creating a video that serves as a tour of the show, an introduction to the featured artists Paul Beckingham, Lynette Haggard, and Bonita LeFlore, and an explanation of how we curated their work. We hope you enjoy this video, and make sure to check out our social media and newsletter for more digital engagement with the artists of 13FOREST.

Mahogany box with double inlay, 9 1/4” x 6 1/2” x 3 1/2”
Born in Germany in 1942, Ingrid Jochimsen came to the United States in 1964. While caring for her young daughter at home, she turned to woodworking as a means of giving her creative urges an outlet and maintaining contact with other adults. Her first projects were small wooden Vikings and figurines. Never one to stand still, Jochimsen continued to refine her skills and began making wooden baskets and boxes. She incorporates several techniques into her boxes, including hand-carved intarsia, inlay, and embedded coins. Jochimsen takes great care in finishing each box so that it is not only a pleasure to behold but also to touch. Jochimsen has been an active member of the Winchester Artists' Network since 1999.