If you’re looking for something unique to give your loved ones this Valentine’s Day we’ve got the perfect thing, from traditional gifts like jewelry to something more quirky like a gyotaku octopus print. Browse our online gift guide below for some inspiration!
Painter Karla Quattrocchi uses bold blocks of color and unconventional materials to create her charming paintings.
Maeve Mueller’s delicate porcelain jewelry can add a touch of glamour to any outfit.
Porcelain with spring green glaze and gold luster, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with spring green glaze and gold luster, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with gold speckled black glaze and gold luster, 14K gold hardware, 7/8" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with tangerine glaze and gold luster side lines, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with white glaze and gold luster side line, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster center line, 14K gold filled hardware, 1/4" x 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster outline, 14K gold filled hardware, 3/8" x 3/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with black glaze and gold luster side line, 14K gold filled hardware, 3/8" x 3/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with mottled pink glaze and gold luster, 14K gold filled hardware, 5/8" x 5/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain with turquoise and white crackle glaze, 14K gold filled hardware, 7/8" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Two-tiered porcelain with clear glaze and textured gold luster, 14k filled hardware and handmade ear wire, 2 1/2" x 1 1/4"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Two-tiered hinged stud earrings, porcelain with crackle white glaze over textured gold, 14K gold filled hardware, 1 1/2" x 1"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Three-tiered porcelain with clear glaze and gold luster, 14K gold filled hardware, 2 1/2" x 7/8"
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Porcelain pendant with black glaze and gold luster, 5/8" x 1/2" pendant, 16” 14K gold filled chain
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with soft yellow glaze and gold geometric design, 5 1/2” x 2 3/4”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with midnight blue glaze and gold geometric design, 5 1/4” x 2 1/2”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with black glaze and gold luster, 4 1/2” x 2 1/2”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Wheel-thrown porcelain vase with textured black glaze and gold luster, 4 3/4” x 2 3/4”
Maeve Mueller studied at the School at the Art Institute of Chicago, where she concentrated in ceramics and light metals. A New England native originally hailing from Salem, New Hampshire, Mueller now lives in Brooklyn, New York.
The more like meditation my art practice is, the happier I am. If I’m going to dedicate my life to making objects (and I am) they should be honest and precious and created for the purpose of being intimately experienced by others.
Beverly Carter uses a variety of decorative techniques, from screen printing to saggar firing, to create the beautiful designs on her ceramic vessels.
Porcelain bowl with silk screened glaze and ceramic transfers, 2" x 9 1/2"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Stoneware vase with screen printing and ceramic transfers, 5 3/4" x 7 3/4" x 7 3/4"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Porcelain vase with silk screened glaze, 6 1/4" x 6"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Saggar fired vase, 6" x 5 1/2"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Saggar fired vase, 6" x 6 1/2"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Saggar fired vase, 8 1/2" x 5 1/2"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Green stoneware bowl, 5 1/4" x 9 1/4"
Beverly Carter lives and works in South Dartmouth, Massachusetts.
My first drawing assignment in college was to render a 24" x 36" patch of grass. We spent the remainder of the semester analyzing that single drawing and making overlays of the elements that worked together to create visual interest – line weight, direction, texture, and value. In the process, we also learned about differentiation of shape, depth of field, and focal points. I never looked at things the same way again. In retrospect, I recognize that this exercise provided the inspiration for the techniques that I apply in my pottery today. Just like the patch of grass drawing, I use line, texture, and color in my work to create layers that I can enhance with different glazing techniques and multiple firings. Through constant experimentation with all of these elements, I continue to discover new ways to create results – all the while knowing that I've only scratched the surface of possibilities. It is the limitlessness of these explorations that make working in clay both exciting and fulfilling.
Caitlin Duennebier uses humor to infuse every one of her sculptures with a compelling personality.
Air dry clay with acrylic paint, approximately 2 3/4" x 3 1/4"
Otentou Sama (おてんとうさま) is a charm which hangs above your door. It watches you everywhere, your every move, and gives you punishment and reward for your behavior.
The charms stem from Japanese folklore; they are a symbol made out of desperation, hoping there is a higher power holding people accountable.
Due to the handmade nature of these charms, please expect some variation in the shape and appearance of each piece.
Caitlin Duennebier was born in Connecticut in 1987. She received her Bachelor of Fine Arts in photography at Massachusetts College of Art and Design in 2009 and studied on scholarship at University of the Arts London. Duennebier lived in London between 2009 and 2014 when she began OH PAPA, a platform for her illustrative work. She currently lives and works in Cambridge, Massachusetts.
Working in painting, drawing, sculpture, and animation, Duennebier creates surreal narratives that focus on a cast of oddball characters. Drawn in a crude and illustrative manner, her scenes commingle threat and sly humor, showing everyday life tainted with the disappointments of violence and body image. Duennebier's imagery is populated by bemused men, fierce-looking women, and strange half-breed creatures that maintain an air of humor and innocence while speaking of feminism, death and storytelling.
Gyotaku is the traditional Japanese printmaking technique that Stephanie Mason uses to create her delightful octopus prints.
Digital print of original gyotaku fish rubbing with watercolor, 9 1/4" x 9 1/4" framed
Stephanie Mason graduated from the Rhode Island School of Design with a BFA in textile design. She currently lives and works in Rockport, Massachusetts.
Fish prints or 'Gyotaku' is the ancient Japanese folk art of painting actual or real fish to preserve a true record of the size of the species. The process starts by painting dead fish, placing rice paper on the fish and gently rubbing to produce an impression. These relief prints or rubbings are hand colored to produce a unique and beautiful art form. Most of the fish I use are caught off the coast of Massachusetts and Rhode Island.
Digital print of original gyotaku fish rubbing with watercolor, 9 1/4" x 9 1/4" framed
Stephanie Mason graduated from the Rhode Island School of Design with a BFA in textile design. She currently lives and works in Rockport, Massachusetts.
Fish prints or 'Gyotaku' is the ancient Japanese folk art of painting actual or real fish to preserve a true record of the size of the species. The process starts by painting dead fish, placing rice paper on the fish and gently rubbing to produce an impression. These relief prints or rubbings are hand colored to produce a unique and beautiful art form. Most of the fish I use are caught off the coast of Massachusetts and Rhode Island.
Digital print of original gyotaku fish rubbing with watercolor, 9 1/4" x 9 1/4" framed
Stephanie Mason graduated from the Rhode Island School of Design with a BFA in textile design. She currently lives and works in Rockport, Massachusetts.
Fish prints or 'Gyotaku' is the ancient Japanese folk art of painting actual or real fish to preserve a true record of the size of the species. The process starts by painting dead fish, placing rice paper on the fish and gently rubbing to produce an impression. These relief prints or rubbings are hand colored to produce a unique and beautiful art form. Most of the fish I use are caught off the coast of Massachusetts and Rhode Island.
Digital print of original gyotaku fish rubbing with watercolor, 9 1/4" x 9 1/4" framed
Stephanie Mason graduated from the Rhode Island School of Design with a BFA in textile design. She currently lives and works in Rockport, Massachusetts.
Fish prints or 'Gyotaku' is the ancient Japanese folk art of painting actual or real fish to preserve a true record of the size of the species. The process starts by painting dead fish, placing rice paper on the fish and gently rubbing to produce an impression. These relief prints or rubbings are hand colored to produce a unique and beautiful art form. Most of the fish I use are caught off the coast of Massachusetts and Rhode Island.
Wendy Jo New’s hand-crafted designs are perfect for anyone who loves whimsy and a pop of color.
Sterling silver target necklace with light pink, fuchsia, and red resin inlay, 7/8" x 5/8” pendant, 16” sterling silver snake chain
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver open circles necklace with orange, pink, turquoise, and yellow resin inlay, 1 1/2” x 1/2”, 16" sterling silver snake chain
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver double open squares earrings with apple green, blue, teal, and aqua resin inlay, 1 1/2” x 1/2”
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver heart necklace with purple resin inlay, 1/2" x 1/2” pendant, 16” sterling silver bead chain
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver and black patina keum-boo pendant, 24K gold heart, 14K gold over sterling silver 16" bead chain, 3/8”
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Hammered sterling silver hoop earrings, 14k rose gold, patina, 7/8” x 3/4“
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Large argentium curved open heart earrings, 1” x 1“
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver double open circle earrings with yellow, orange, pale yellow and white resin inlay, 1 1/2” x 1/2”
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Hammered argentium link earrings with sterling silver hardware, 1 1/4” x 1/2”
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
Sterling silver earrings with black patina, 1/2” x 5/8”
Wendy Jo New is a designer, fabricator and teacher based in Winchester, Massachusetts.
I produce fine contemporary jewelry and other metal designs primarily in the precious metals of silver, argentium, gold, and palladium. These are often further defined with the addition of texturing, gemstones and other unique lapidary, or resin inlay. I also manufacture photo-etched metal jewelry, cover plates which may be attached to journals or framed, and larger etchings used in buildings as entry door logos, addresses, and the like. Designing and fabricating engagement and wedding bands and other jewelry, often with heirloom stones, is particularly meaningful.
A Cape Cod classic, Jobi Pottery’s colorful and functional pottery makes a great gift for everyone. We just returned from a quick trip down to Truro and came back with over 80 new pieces!
Hand-painted ceramic tray, 13” x 5 1/2” x 1”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic dish, 9 1/2” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic bowl, multifish pattern, 2 3/4" x 5 1/4" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 5 1/2” x 5 1/2” x 2 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic bowl, 4” x 4” x 2 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic mug, 4 3/4” x 3 3/4” x 4 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic mug, green traditional design, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand painted ceramic, yellow traditional design, 4 1/2" x 3 1/2" x 5 1/4"
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic mug, 4 3/4” x 3 3/4” x 4 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic plate, 10 3/4” x 10 3/4” x 3/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic platter, 15 1/2” x 11 1/4” x 1 1/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic pinch pot, 3 3/4” x 3 1/2” x 1 1/2”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Hand-painted ceramic container, 4 3/4” x 4 3/4” x 4 3/4”
Due to the hand painted nature of Jobi Pottery, please expect some variation in the pattern and appearance of each piece.
Jobi Pottery is a Cape Cod cottage industry that was started in 1953 by Joe Colliano and Bill Hastings (Jo-bi). Today, Jobi Pottery’s current owner and designer Susan Kurtzman still uses the original mid-century casting molds to create the ceramics in her Truro studio.
Every piece is handmade and hand-painted using the same methods the Jobis created. The retro look of their shapes can be traced back to Jobi’s original owners, but Kurtzman has added new designs and colors to contemporize the pottery. Jobi Pottery is committed to local handmade production; each piece is created on the premises, painted freehand and fired in their pottery barn. Jobi Pottery is proud to be a woman-owned business.
Oil, acrylic, pencil, pastel, paper, tape, leather, tar, shellac on panel, 6" x 6"
Karla Quattrocchi received her BFA from the School of the Museum of Fine Arts at Tufts University with a concentration in painting and drawing. Her paintings incorporate multiple mediums, including acrylic, pencil, plastic and tar. Each composition uses a structured amount of space and adheres to a flat picture plane. Through her abstract narratives, Quattrocchi plays with meaning, always leaving the story to the viewer's imagination.